REVOICE PRO 4 GEARSLUTZ SOFTWARE
The software is snappy, the engine sounds great, and the tools save you a ton of time. Revoice Pro 4 is a solid improvement on an already robust set of tools. The results will be completely unnoticeable, and you’ll get there incredibly quickly.
If you can get this close with Revoice Pro 4 with absolutely no rehearsing of dialogue, imagine what a performer actually trying to ‘nail it’ will be able to deliver. My ‘recording studio quality’ overdub now lined up perfectly with my iPhone camera video.įor a ‘bonus round’, I had my wife come into the studio and dub the same sentence, no practice. Then I ran the audio through Revoice Pro 4 and had it snap the timing of my overdubbed audio in place with the original. I then did an overdub with a great mic, but to be really ‘tough’ on the plugin I did absolutely no practicing. I recorded a quick video with my phone, lots of noise in the background and of course a pretty lame microphone.
Now that Logic Pro X actually supports selection-based processing, it’s a breeze! Once you’ve got the process dialed in, it’s snappy as heck.
There is no doubt that the Revoice Pro 4 workflow and automatic alignment tools are faster than doing it manually. Utilizing the musical APT mode also allowed for complete control over some backing vocal tracks I was working with. With musical sources, creating chorused vocal doubling tracks was an absolute snap. I utilized Revoice Pro 4 with its standalone app and connected to Logic Pro X with the helper (monitor) plugin. Revoice Pro 4’s pitch correction interface can be confusing but with a bit of practice can achieve excellent results. That list currently includes Studio One, Reaper, Cubase Pro 10, Nuendo, and Cakewalk. Pro-Tools Expert Verdict: The results that it can achieve are truly amazing, and in certain situations could be the make or break of a production, especially if the singers pitch and timing leave a lot to be desired. ARA (audio random access) has been upgraded to version 2, and this allows direct audio manipulation with no spotting or capturing in supported DAWs. There are also now vibrato warp points, so you can maintain a singer’s natural vibrato, or amp it up a bit. The adjustment layers most definitely fly in quickly and cleanly, and the interface feels incredibly snappy. There are specific modes within the APT (pitch and timing tools) that are geared for musical sources and dialogue sources. Each of them has their strength (Revoice: really fast aligning of bgvs and doubles), both sound very good.Version 4 brings a far more music-friendly automatic alignment. But I wouldn't want to miss Revoice either. Also love the other new features (low frequency kick detection, leveling etc.). The new tuning macro is absolutely great, sounds fantastic. But now I have tested Melodyne 5 and I have to say that I love it. Revoice just felt and sounded better in my opinion. I definitely used Melodyne for polyphonic stuff, because Revoice can't do that, and for tuning kicks etc., but never for vocal tuning. I preferred the Revoice tuning algorithm a lot to Melodyne Studio 4 (which I also have since a couple of years). SkrinsenTough question, I use Revoice Pro 4 since a couple of years and love it, for vocal aligning (in bulks), de-essing and for vocal tuning.
REVOICE PRO 4 GEARSLUTZ UPGRADE
Now it´s time to either upgrade to Melodyne 5 or Revice Pro 4.Īnyone here with experience with both? Pro and cons? Are there any good arguments for having both? I´ve been using Celemony Melodyne for years, but are getting mails from Synchroarts about Revoice Pro deals.
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